Born in Nantes to Iranian parents, Roxana grew up surrounded by the whispers of the Atlantic Ocean and the poetry of Persian poetry. Her musical universe took a decisive turn when she discovered early music thanks to training with Amandine Beyer. This encounter changed the way she perceived the violin and led her to explore new sounds.

During her modern violin master's degree at the CNSMDP with Jean-Marc Phillips-Varjabédian, Roxana enrolled in Christophe Robert's historical violin class. She joined the prestigious Les Arts Florissant ensemble, performing in the most renowned halls in the world, such as Carnegie Hall in New York, the Berlin Philharmonic and the Vienna Konzerthaus. Roxana also plays with renowned ensembles, including Le Poème Harmonique, Cappella Mediterranea and Le Concert Spirituel. With three years of experience as a quartet player with the Mona Quartet, she naturally continued her career as a chamber musician in early music. She can be found regularly on stage with ensembles such as Le Consort, Jupiter and Les Ombres. As first violin, she collaborated with the Il Caravaggio ensemble and performed as a soloist with Le Concert de la Loge.

For Roxana, music is a huge playground. She never stops exploring and does not hesitate to venture into traditional and improvised music. His artistic approach is nourished by a profound curiosity and a love for sonic diversity, always carried by a violin by F. Vaillant (1741), loaned by Mr. Mathieu at the initiative of the TALENTS & VIOLON'CELLES endowment fund.

Born in France, Yaoré Talibart discovered the violin at the age of four. Her early experimentation with the instrument grew alongside her development as a violinist, allowing her to explore a vast repertoire within various chamber ensembles. She graduated with a Master’s degree from the Conservatoire de Paris, where she studied with Philippe Graffin, before continuing her studies with Rainer Schmidt at the Hochschule in Basel. In 2021, she moved to London to deepen her knowledge of early music, specializing in baroque violin and historical performance at the Royal Academy of Music with Pavlo Beznosiuk and Rachel Podger. During this time, she also developed a passion for Scottish and Irish traditional music, joining the folk-inspired group Nobody’s Jig.

A versatile violinist, equally at home in baroque and modern repertoire, Yaoré collaborates with ensembles such as Le Concert Spirituel, Les Ombres, Le Poème Harmonique, the Finnish Baroque Orchestra, Barokksolistene, and Le Consort, with whom she recorded three albums. In 2022, she was selected for the Orchestra of the Age of Enlightenment Experience Scheme and joined the UK-based ensemble Arcangelo as a New Ensemblist, contributing to several recordings. She regularly performs as a soloist and chamber musician, notably with Les Nouveaux Caractères, and has appeared as a soloist in the UK, including a debut at Wigmore Hall alongside Lawrence Power as part of his Collegium project. Since 2017, she has also been the concertmaster of Orchestre Appassionato, performing both in orchestral and solo settings.

With her dual French and Hong Kong heritage, Yaoré grew up intimately aware of the concept of the duality of self, expressed through language, sound, and non-verbal communication. This naturally led her to a life centered on chamber music, which remains the most vital of all musical means of expression for her—a space for dialogue and exchange where sound becomes a language beyond words. She plays on a Nicola Amati baroque violin from 1662 and a Martin Haupt modern violin made in 2017, both generously loaned by the Boubo-Music Foundation.

Suzanne began her musical studies simultaneously playing harpsichord and cello until she was 15. She then devoted herself fully to the cello, deepening her practice at the CRR in Paris before joining the Royal Academy of Music in London a few years later.

In 2020, Suzanne returned to France and decided to specialize in practices using period instruments. She participates in various academies aimed at professional integration, in particular at the Abbaye aux Dames de Saintes under the direction of Philippe Herreweghe, Amandine Beyer, Julien Chauvin and Christophe Coin, in Royaumont with Louis Noël Bestion de Camboulas and Véronique Gens, in Royaumont with Louis Noël Bestion de Camboulas and Véronique Gens, as well as with ensembles such as the Concert Spirituel, Les Ombres and Le Caravanserail. At the same time, she began collaborating with prestigious ensembles such as Les Arts Florissant, Le Consort, Les Époées, Il Caravaggio, and the Orchestra of the Royal Opera of Versailles.

Suzanne thrives in the rich universe of period instruments, finding inspiration in the exploration of authentic sounds and historical interpretation. She is as involved in chamber music as in orchestral formations, contributing to a lively and renewed approach to the Baroque and classical repertoire.

Trained by Aline Zylberajch at the Strasbourg Conservatory and by Francesco Corti at the Schola Cantorum in Basel, Louise developed her technique and her musical sensitivity, specializing in the harpsichord. At only 26 years old, she won several international awards, including the Bach-Wettbewerb in Leipzig, La Capella Musicale in Milan, and the Corneille Competition in Rouen, which she won in 2018.

Louise is regularly invited as a soloist to prestigious festivals, such as the Jean Rondeau Bel-Air Claviers festival, the Oude Muziek festival in Utrecht, the Entracte à Sablé, or even Cembalo in der Stadt Basel. Also recognized for her talent in the continuo, she collaborates with renowned ensembles such as Le Concert de la Loge, Jupiter, Pygmalion, and Masques. His artistic commitment and his instrumental mastery earned him the support of the Royaumont Foundation, the Young Talents Association, the Boubo-Music Foundation, as well as the Walter & Corina Christen-Marchal Foundation.

Louise is interested in exploring the historical and ergonomic dimensions of performance, as evidenced by her award-winning dissertation on harpsichord posture. His playing combines virtuosity and depth, inspired by a rich and varied repertoire. A solo record, testifying to his artistic vision, will be released in August 2025 by Alpha Classics.